b. 1979
Tamar Halpern (they/them) is an artist known for their paintings, works on paper, and sculptures rooted in photography, rendering Halpern’s practice abstract. Halpern received their BFA from the College of Santa Fe, NM, and their MFA from Columbia University in 2005. They have exhibited their work extensively, with solo exhibitions at galleries such as The Journal Gallery in NYC, Black Ball Projects in Brooklyn, and Nino Mier in Los Angeles. Halpern has also been represented by Office Baroque Gallery in Belgium, On Stellar Rays, and D'Amelio Gallery in New York. Their work has been featured in prominent group exhibitions including Greater NY at PS1/MoMA and The Sculpture Center in NY. Halpern's art has been reviewed in publications such as Interview magazine, The New Yorker, Artforum, and The New York Times. Their work is included in the permanent collection of Marciano, Kravis, Rosenblum, Jay Jopling, and Thea Westreich. They currently live and work in Brooklyn, New York.
Moving beyond the binary of individuality to examine the ways in which immaterial energy shapes our collective consciousness. My studio practice is my sanctuary, a space where I cultivate compassion and understanding through an intimate relationship with the materials and the process of creation. Through constant dialogue, the materials I use as well as my inner voice lead me down unexpected paths and lessons. The fragmented materials, culled from my studio, I use—silk, photographs, found objects, hands, and feet—reflect my ongoing exploration of identity. These recognizable artifacts, often splayed apart or layered, hint at my creative ritual of deconstruction and reconstruction. The depth between layers provides insight into my lived experience, an inherent reference to duration and the stillness of transition. Making artwork slows the process of defining who I am and quiets the societal pressure to resolve who I am. It is an acknowledgment that both my identity and my artistic practice are in a constant state of becoming. While I cannot simply wait for this process to unfold, mirroring my studio practice with my daily life validates and affirms my existence. My art offers a tangible manifestation of the questions I explore about visibility, presence, and the evidence of life.